Model

I see potential in everything. It's about opening your mind to what you can do to the garment: because they're cheap, you can cut them or stitch them, and if you stuff it up, it's fine - it's only two dollars.

It's because I have no sense of shame that I'm always willing to give things a go: I've ridden horses naked into the sea, I've climbed rocks, all kinds of things.

I was always in hospital as a kid: I had a tumour on my knee, lots of broken bones. I loved climbing trees.

I don't get sick much because in the U.S. I always eat with my fingers, you know, to get used to the bacteria.

I see potential in everything. It's about opening your mind to what you can do to the garment: because they're cheap, you can cut them or stitch them, and if you stuff it up, it's fine - it's only two dollars.

Let's just say, if I weren't a model, I'd be a walking collage. I see my body as a blank canvas that's aching to be decorated; I find it all very fascinating.

The chi of a room is important to me. If I walk into a hotel room and it doesn't feel right, I ask to change.

The European girls, like the Russians, tend to stick together, but there's never any rivalry. Sometimes there's a little bit of tension with the older girls because they might feel a little threatened by the younger models, but it's not between personalities.

In the end, to do a good accent, you just have to be a good listener.

New York is such a versatile city, and there's always something new to discover.