Adrianne Lenker

Musician

108 Quotes

When I was born, my dad was playing music, so I'm pretty sure he was singing to me in the womb. I was born into music, in a way, because he was playing acoustic guitar. I was around an instrument growing up.

I was born into a religious cult in Indianapolis, straight up. They had an apartment complex in this one area, and there were all these rules. My parents met through church and got married really shortly after, when they were both searching for connection and meaning, just like everyone is when they're 20.

I'm committed to an honest expression, not necessarily a performance.

I was born into a religious cult in Indianapolis, straight up. They had an apartment complex in this one area, and there were all these rules. My parents met through church and got married really shortly after, when they were both searching for connection and meaning, just like everyone is when they're 20.

The first song I wrote, when I was 8, was about feeling really angry - like the weight of everything on my shoulders.

When I was born, my dad was playing music, so I'm pretty sure he was singing to me in the womb. I was born into music, in a way, because he was playing acoustic guitar. I was around an instrument growing up.

I never went through a wave of hating Christianity, even though my parents were born-again Christians, and there were a lot of ideas that were being practiced that I think were misguided.

The acoustic guitar is my first love, I've been playing since I was a kid, and I feel the most at home when I'm sitting with an acoustic, I just love it so much. It changes my heart. I love the vibration and frequencies and the resonance.

We lived in 14 different houses until I was 8, renting here and there.

I don't really think of Minnesota when I think of home.

Well, whenever I visit New York it feels pretty romantic, so I sometimes think about coming back here. But then I wonder if it's just 'cause I'm visiting that it feels so good. But also, Minnesota. I could imagine myself finding a place in Minneapolis.

We're in transit so often and when we're moving from one place to the next and I have to be very alert and present and aware of where we are. You know, just like protecting our gear and making sure we get from one place to the next safely, being around so many people's energies. It's not just like a totally open and relaxed state to be in.

I want everyone to feel very welcomed in the space of our music and our songs, it doesn't matter what you believe or think, I just want to cultivate a space of peace and to touch on these things that bind us as humans.

I hadn't gone to high school. I left Minnesota, I left home, I was on my own. I was seventeen.

I can't really choose how I'm going to connect to music. I find it just has to hit a wave, and just wash over me and take me completely to some other space.

Ingydar was the name of my great-aunt Becky's horse, who passed away when I was a kid.

I'm attracted to wilderness in any sense. Which is why I'm attracted to New York in a way, because I feel like it's a wilderness of people and textures. Just like, there's so much life and richness here. And you can get lost in it.

There's something special in music about the repetition of playing something where it becomes a home and a fortress and a space that you inhabit, like maybe we could move this little thing here, or rearrange the furniture. You're so acquainted with every part of it.

We were still quite religious until I was about eight or nine. Then I watched my parents take a dramatic turn and discard all religion.

I've felt since I was a kid this desperate longing to be closer to - I don't know what. Just to something bigger, to be in conversation with the mystery of everything.

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