I haven't been recognized out in public or anything. The strangeness of celebrity has been relegated to Twitter, which is kind of manageable.
Improv training allows you to get out of your head a little bit and take more risks, which is something I would like to continue to improve upon.
I was getting a lot of really nasty feedback about my weight during 'Fargo,' which is unfortunate because I am statistically a completely average-size woman.
'The Secret Garden' was the first musical that I fell in love with when I was a kid. My mom took me to see it, and it was the first one that I owned the soundtrack to and listened to over and over again.
I originally wanted to stay in Chicago as long as I could. I love Chicago. I don't love L.A. I don't want to leave Chicago.
I never pursued voice hard enough. I've done musicals here and there, but I was never dedicated to really being one of these fantastic, operatic kind of singers that you have to be in some of these musicals.
I never really acted full-time. I certainly had gotten past the point where fame and fortune was something that I was dreaming about or anticipating.
Someone asked me about how it feels to wear the same costume every day and whether it gets tired or boring, but the good thing about it is that you know what to expect, every day.
I've done some version of that Minnesota accent - that Midwestern accent - in sketch comedy for years. It's the quickest way to symbolize you're a mom.
I do find that when I see women who flesh out the television or film world and make it look more like the world I actually live in, I gravitate towards those characters.
I started getting Twitter followers after I started doing press for 'Fargo.' One of my best friends from college is a librarian, and she started tracking after each interview how many Twitter followers I got. She and her librarian friends were like, 'We're going to make a graph.' And I was like, 'Alright, nerds.'
At 32, I kind of thought I was past the point where I was gonna get a break that really changed my life overnight.
My mother has stories of leaving me in the bath as small kid, like a 3-year-old, and there being mirrors on the side, and her going to get a towel and coming back in, and me making faces at myself, like, 'Now I'm happy. Now I'm sad.'
I moved to Chicago and I did theater, and then I started writing and I stop acting and I did sketch. You know, I did all of the things that, if you were serious about doing television, don't do.
The thing about theater that always and still kind of makes me edgy is that you work and work and work and work, and then you're just in performance mode, and then you have to just be on; the work is done, and then you just have to do it over and over again, so you're just constantly at that performance level.