I enjoyed clowns when I was a kid going to the circus. Mainly I mean the good clowns, when you go to a circus.
As much as 'It Chapter One' is a movie about friendship and the power of unified belief, the second part is more about trauma.
Yeah, I didn't grow up in the '50s like Stephen King so I'm more versed in the '80s and the present day than the '50s.
I think apart from the new spectacle that 'Chapter Two' brings compared to the first one, the scope, scale, bigger canvas, I'm proud of the emotional journey.
I really didn't want to expand the negative vision of clowns because clowns are not intrinsically scary.
Yeah, my parents exposed me to horror movies when I was like 6 or 7. I mean exposed me in a good way, they didn't mean any harm.
A movie is very different when you're writing the script and you're building a story compared to what the final product is.
Of course it's always easy when you work with people that worked together, or you work with people that you worked with before, because you develop over years some sort of shorthand of communion that is always very valuable.
We live in a world where there's a culture of fear, where some leaders have a strong pull on people, which is exactly what Pennywise does.
It's like my second home, 'It.' And I would like to return to it, because I feel very comfortable with it, and I have an understanding of it, and I'm passionate about it.
Mythology is something that always has opportunities to explore. 'It' has been on Earth for millions of years. He's been in contact with humans for hundreds of years, every 27 years. So you can imagine the amount of material.
Everything that relates to Pennywise and Bob Gray is very cryptic, and it's like that for a reason. Probably the success of that character as a monster, as a villain is because of that crypticness and uncertainty that people have towards him.