When I say I want to photograph someone, what it really means is that I'd like to know them. Anyone I know I photograph.
When I started working for Rolling Stone, I became very interested in journalism and thought maybe that's what I was doing, but it wasn't.
There were some advantages to being a woman photographer. I think women have more empathy with the subject.
When you are on assignment, film is the least expensive thing in a very practical sense. Your time, the person's time, turns out to be the most valuable thing.
I feel unbelievably blessed that I have had the opportunity to photograph Malala in her classroom in Birmingham.
I fell in love with the darkroom, and that was part of being a photographer at the time. The darkroom was unbelievably sexy. I would spend all night in the darkroom.
The pictures of my family were designed to be on a family wall, they were supposed to be together. It was supposed to copy my mother's wall in her house.
There are still so many places on our planet that remain unexplored. I'd love to one day peel back the mystery and understand them.
Sometimes I enjoy just photographing the surface because I think it can be as revealing as going to the heart of the matter.
My lens of choice was always the 35 mm. It was more environmental. You can't come in closer with the 35 mm.
Nature is so powerful, so strong. Capturing its essence is not easy - your work becomes a dance with light and the weather. It takes you to a place within yourself.