Anthony Marra

Writer

38 Quotes

After spending the last few years working on a serious novel set in Chechnya, I was drawn to both the brevity and casualness of Twitter, and wrote a series of tweets titled 'The Erotic Inner Life of Mr. Bates from Downton Abbey.'

Ever since studying in Russia as a college student, I had been in a long-distance, one-sided love affair with Chechnya's remarkable history, culture and rugged natural beauty.

My first real awareness of Chechnya came when I was a college student studying in Russia. I arrived in St. Petersburg about two months after Anna Politkovskaya was assassinated for her reports on Chechnya. I lived with an elderly woman and her grown children in an apartment that was not too far from the neighborhood military cadet school.

Chechnya forms the bookends to Tolstoy's career. He began writing his first novel, 'Childhood,' while in Starogladovskaya in Northern Chechnya, and his final novel, 'Hadji Murad,' is set in the Russo-Chechen War of the 19th century.

During the 20th century, Chechnya was written about by local poets and novelists, as well as writers from Russia and Central Asia, but very little is available in English translation.

When I came to the last line of 'Car Crash While Hitchhiking,' I read it as a pitiless statement of indifference: a refusal to warn the family of their impending collision, a refusal to help when miraculously spared, a refusal to act on the empathy hiding behind the story's language.

To make a book convincing, it's less important that the right tree be in the right place than that the characters are emotionally real.

I joined a writing class at a nearby community center, where I was the youngest participant by about 40 years. Once a week, I'd funnel down a staircase and join the dozen retirees crowded in folding chairs around a table to discuss one another's stories.

While looking up news from the North Caucasus on Twitter, I was linked to the sanguinely titled 'Seven Wonders of Chechnya Tour' on the website of Chechnya Travel, the postwar republic's first tourism outfit, founded in 2012.

I read all of the nonfiction that I could find on Chechnya, and all the while, I was searching for a novel that was set there. I couldn't find a single novel written in English that was set in the period of the two most recent Chechen wars.

Grozny's been largely rebuilt. But at the same time, I think the war is very much being waged inside its survivors.

I'm wondering when you hit the age where people say, 'Oh, OK, he's not so young.'

When you're writing in big block paragraphs, you can afford to have a redundant sentence now and then, but the Twitter format requires concision.

When I visited Chechnya, I was taken aback at first because people would regularly make jokes about kidnapping me.

There was something about the idea of Russia that I found very intriguing, and I think I had romanticized it a lot.

I think after you write something and you're finished with it, there is a sense of loss. That this is a world I can't really re-enter the way that I could when I was working on it. The covers of the book close it to the writer.

A novel can enlarge the empathy and imagination of both its author and its reader, and my experience, that sense of enlargement is most intense when I'm transported beyond the narrow limits of my daily life.

Calvin and Hobbes are the only two characters from my childhood reading that I return to with any regularity, and they have grown with me, yielding newer and deeper meaning.

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