I went to school in Gainesville because it was a huge punk and folk town. So I went to class twice a week, and then I went to shows and wrote. I did a lot of music writing before I actually started playing music.
I went to school in Gainesville because it was a huge punk and folk town. So I went to class twice a week, and then I went to shows and wrote. I did a lot of music writing before I actually started playing music.
I don't think I ever wanted to be a journalist - I was more interested in what comes from being a journalist.
As soon as I started writing the first batch, I had a vision. I saw me on stage playing a certain type of music. I want to take these blues melodies over aggressive guitars. I heard the sound I wanted to make. I knew what I wanted to do. It wasn't ever there before.
My sister is an opera singer. I grew up going to her recitals. This whole time, I'm like, 'She's the singer. I'm just strumming along and yelling.'
New Orleans style is funky - it's just as experimental as the city. There aren't any rules. If you want to wear a polka-dot shirt and some crazy pants, you can get away with it there.
There are a lot of really good skills you get from doing journalism - it completely changed my world and how I interact with other people.
Gaya New Orleans itu funky - sama eksperimentalnya dengan kotanya. Tidak ada aturan apapun. Jika Anda ingin mengenakan kemeja polkadot dan celana keren, Anda bisa melakukannya di sana.
Saya telah membuat musik sejak saya berusia 14 tahun, tetapi untuk sementara, saya takut untuk tampil.
Masa setelah kuliah dan sebelum musik benar-benar kasar. Saya tidak mampu membeli makanan. Saya makan roti dan mentega selama lima bulan. Tinggal di New Orleans, saya tidak mampu mengurus diri sendiri. Saya tidak punya asuransi kesehatan.
In 2012, I started writing songs - not for the world to hear, but for certain people I needed to talk to. My family, we were not big communicators. I had a hard time talking to people in general.
Blind Willie Johnson is a pretty big vocal influence. He can be very harsh, like gargly, gruff vocals, but also just slip into some very delicate, vulnerable soft stuff. I like that combination.
Even when I interviewed bands, it was about asking them about writing songs, so it was more for me than anybody else.
Folk-punk artists like This Bike Is A Pipe Bomb or Paul Baribeau were popular in the Florida punk community. I saw people early on combine roots music with more aggressive music.
Music helped me to get out of a rough period in my life when I really struggled to see any future for myself and was terrified about what was happening to the people around me.