I'm not really out in the world all that much. I mean, I live with no phone signal, in the hills surrounded by trees, and I have, like, a mom and two baby deer that come by all the time, and my dogs and the squirrels are in a full-on feud every morning.
Each step of the way, I'm learning. When I leave an interview, I learn whether I feel, 'Oh, that was nice,' or that made me feel like a little piece of me was taken.
I was born in Sacramento but moved to Los Angeles with my mom and my little sister when I was seven.
There's nothing I'd say that keeps me awake at night, but I think that - when you're working with a group of people that are so beyond talented - that, every day, you wake up going, 'All right, I gotta fight to stay at the same level as these people.' That's what makes it fun.
I think seeing the love between a mother and child is something we can all really relate to. You can remember it from your own childhood perspective.
I think it starts to feel really redundant when you start to do something the same way over and over again. I don't think it's good to become so dependent on a certain writing process.
I think that I write about stuff that others don't write about. I don't have a bunch of love songs cuz I don't really have much boy experience. I just write about what I am actually going through in my real life.
I love mythology and folklore, and I respect the time, money, and opportunity that a film gives to an audience. It's a chance to empathize, reflect, and learn, so I really want to understand before I sign onto a project: 'What's the potential of this thing? What are we seeing and learning? What are we empathizing to?'
For the most part, I've stayed as far away as possible from high school movies. I just don't find them to be that relatable to everybody? They become like this: 'Look at that period of time. Isn't that interesting?'
I went through a phase of eating dinner in the shower because I thought, 'Why don't we do that?' Then I realised, 'Because it doesn't make any sense.' It doesn't save any time, and you can't really get into a steak and baked potato when there's water pouring on you.
I'm really not interested in acting as a facade, I'm interested in it as an emotional expression and as a transcendent experience for an individual. I find that a lot of people, a lot of young actors, haven't gotten to the point where they're comfortable being stripped down. They're still interested in ornate jackets.