Dalam pemotretan, saya mengandalkan insting. Bukan berarti saya tidak membawa ide ke proyek atau mempertimbangkan itu sebelumnya.
Maybe people have no idea how much work is behind a picture. It can seem very effortless, but there is a lot of work. It's exactly like doing ballet. It's hours and hours, but when you go onstage, it's just the pleasure of dancing.
When you give a lot of confidence in people and you don't get it back, you are a bit disappointed, but it's life.
I started wearing high heels when I first worked with Mario Testino. He is tall; I had to be at his height. And I have never stopped since then.
Just because someone is holding a gun doesn't make an image controversial. It all depends on where you put the gun, who is holding it.
I would never share my daughter's wardrobe. Every five years you have to go through your wardrobe and say, 'This is possible, this is not possible.' But you have to be happy with yourself.
I actually love the 'rappers look,' with the saggy pants and oversized clothes. It's very deliberate.
Monsieur Saint Laurent was pathologically shy, and he made the Saint Laurent woman in his own image. Like her, I am shy. And to protect myself, I adopted something of an androgynous look, just as his women did.
I miss my parents. But still, my granddaughter, my daughter, my grandma, you know, so it's very important for me. You lost your parents, but a new baby comes. It's like the cycle of fashion.
When you're editor-in-chief of a big magazine, you cannot be a cover girl for MAC; you cannot be the face of Givenchy - of course you can't; it's doesn't go with the job.