I took a clown class at NYU - that's where I met June Diane Raphael, my writing partner and best friend.
The more money you spend, the more you need to make back, and the more pressure there is to appeal to everyone - which to the studio means that the specificity and uniqueness must be watered down. But I think mass audiences like things that are more specific and tend to have a voice, like 'Napoleon Dynamite' or 'Superbad.'
There are sometimes concerns about being respectful with a gay character, and you either end up with a tiptoeing quality or an all-out cliche.
I have never turned to my girlfriend and said, 'Oh, okay, babe,' and I see it in scripts all the time.
Especially with Facebook and Instagram and Twitter, I can't tell necessarily the nitty gritty of what you're really up to. I'm just seeing the performance of all the work you're doing and the look you're giving; it's very hard to get to the center. It's very hard to see what's what.
Even before I got on 'SNL' I assumed I would do some type of sitcom; I kind of thought that was how I would start. I don't mean to sound arrogant - I just thought I would be best suited to the form.
I'm getting into all sorts of L.A. things. I go to bikram yoga, I went to an astrologer recently... I'm accepting L.A. for who she is. She's a dark temptress.
It's always great to get to do what you love and to do something that hopefully people will see and love.
I actually do enjoy the Kardashians' show, and I know that other people do enjoy it, but at the same time, they want to make fun of it. Like, I know that girls are watching that show - I'm just the only one courageous enough to say it. Other people are courageous in acts of war, but I'm courageous in my love for the Kardashians.