Write every day. Don't kill yourself. I think a lot of people think, 'I have to write a chapter a day' and they can't. They fall behind and stop doing it. But if you just write even one hundred words a day, it's not that much. By the end of a month, you'll have three thousand words, which is one chapter.
There's a stigma that guys hate romance and hate love, but that's not true. Look at 'Iron Man.' There's a whole through-line plot about his relationship with Pepper, and everybody loves it.
Perfect heroines, like perfect heroes, aren't relatable, and if you can't put yourself in the protagonist's shoes, not only will they not inspire you, but the book will be pretty boring.
I try to answer all my fan mail. Sometimes I get questions from people who obviously only read the Wiki but haven't read the books. I'm like, 'But you have to read the book or you're not going to get it.'
In other people's books, I tend to love the really daredevil-y characters. I love Finnick from 'The Hunger Games.' And I think, probably, my favorite character of all time is Sherlock Holmes.
In my own work, I don't have favorite characters, but I have characters that I relate to the most. And I relate the most to Simon from 'The Mortal Instruments,' and also Tessa from 'The Infernal Devices.' They're more sort of bookish and shy characters.
You put books out into the world, and people form their own visuals and images and attachments to characters; those characters become part of them, and they have their feelings about them.
I grew up in L.A., and I worked for 'The Hollywood Reporter.' I knew enough about the business to know that the usual role of the author on a movie is to get out of the way and not say anything.
I firmly believe that you can't get a good movie without risking a bad movie. A good adaptation of your book is worth it because it is such a wonderful experience to see your world translated onto the screen.
I think that 'City of Heavenly Fire' is definitely a book where all the characters are tested to their limits, and they have to make really significant choices about who they are and who they wanna be.
I believe that writer's block is a symptom. It's not a disease, it's the symptom of a disease. So what I try to do is kind of do it like 'House'; write down the symptom and write down the other symptoms. Try to work backwards to figure out what the problem is.
There are so many stories about boys becoming heroes, learning their powers and becoming incredibly heroic. There have to be those stories for girls, too.
When a movie is being made out of a book, there is a mixed reaction on the part of fans because they are both extremely excited and they are also terrified. 'They are going to take my story, and they are going to mess it up; they are going to ruin it; they're going to do this; they're going to do that.'