My characters tend to be more dynamic because they're reaching that point in their lives where their old way of being is breaking down. They're conflicted by the idea that they don't know what's next. You could call it Kierkegaard's leap of faith, when you get tired of sort of reinventing yourself on a very superficial level.
Our Generation has had no Great war, no Great Depression. Our war is spiritual. Our depression is our lives.
My only writing ritual is to shave my head bald between writing the first and second drafts of a book. If I can throw away all my hair, then I have the freedom to trash any part of the book on the next rewrite.
I try to forget about the expectation that's out there and the audience listening for the next thing so that I'm not trying to please them. I've spent a huge amount of time not communicating with those folks and denying that they exist.
Fiction is no longer the dominant storytelling device of our time. In the 19th century it worked great, and fiction was the king, but it's not the king any more.
My father worked for the railroad, and whenever a train crashed, we would go as a family and steal food from the boxcars. One year we stole a case of butterscotch pudding that was for export to Israel. It took us years to get through.
I think my heart always goes out to men at the peak of their celebrity who checked out. There's such an odd, horrible trend in my lifetime for it - Kurt Cobain, David Foster Wallace, Alexander McQueen, Heath Ledger.