Something Dylan and I really don't care much for is leaning into the identical twin thing. It doesn't make sense.
Because 'Friends' is on Netflix, there's a renewed interest from that... People can call me 'Ben' on the street, and I will turn around.
I've become obsessed with trying to figure out who I am against situations that make me uncomfortable and not settled, ensuring that that fear of stagnation doesn't allow me to flip into that bubble of privilege.
I'm a firm believer that if you're nervous before you go into a scene, it means the scene is going to be good, and it means you're invested in making something special.
My brother and I have a profound nostalgia for our youth, and I think people need to come to terms with things leaving and being gone.
I anticipated we would go to college, and then we would fade out - that was kind of what we wanted at the time - but social media hung onto my brother and I, and thankfully, fans hung onto my brother and I, and I think it's one of the reasons that this reemergence can come back with a little more strength, and I'm very thankful for that.
I was having a dilemma whether I wanted to return to acting at all because I was coming from this sort of agency-less childhood career, and I'd never made the choice to go into acting.
My Twitter is a joke toilet, and I filter all these old, cringe-y parts of my brother and my childhood through that in an attempt to flush it down the drain forever.
Maybe it was escapism, but I had become obsessed with going to remote locations and keeping myself behind the camera.
I believe every photographer is influenced by their sexual preference in a greater or lesser way, and it certainly has affected me.
Part of the reason I went to college was that I wanted to fade out peacefully: show everybody I had gone through something that was quite challenging and difficult but did so with grace and poise and got an education.
We were at this point of recognisability where we couldn't even walk around anymore... I was really socially anxious and strange.
The world of fashion and fine arts in New York really took me by surprise, and photography has helped me through a period of personal turmoil. I am glad when people like my portfolio, but its aim is - or was - to keep me at peace.
I'm a believer that we should support various forms of representation because they clearly resonate with unheard groups of people, and for such a huge project like 'Riverdale,' this kind of representation is fundamentally important.