Dave Matthews

Musician

65 Quotes

I'm a fairly tormented artist, and I'm less willing to indulge myself in self-pity, outside of songwriting.

I'll lean on you and you lean on me and we'll be okay.

I think we should all talk to our enemies and talk to our friends. Talk! That's the only way we'll find solutions.

I don't think everything is going to get peachy ever. But I think we have to fight for what we believe in.

I can't believe that we would lie in our graves wondering if we had spent our living days well. I can't believe that we would lie in our graves dreaming of things that we might have been.

I'm from a very politically and socially conscious family. My mother always made a point of making us look at what was going on around us and take stock of our part in it.

The reason I play music is to touch people - for selfish reasons, as well. It feels good to make someone else feel something, whether it's a kiss, a painting, good idea or it's a song.

Well, I've been in a few car wrecks.

I was regularly advised not to go into music, that I should give up that foolish dream.

For me, in songwriting, I have a route I can take. Maybe there's some forks, I can go this way, this way. But I know those roads. I still have the experience behind me.

We give the podium to a lot of people who shouldn't have the podium. The message that's delivered the loudest and in the most entertaining way is the one that we're going to put on because that's what we want. We want ratings more than we want to deliver information. That's just where the culture's gotten.

I fear that our true motivation is about oil and our own flailing economy; about the failure to destroy Al Qaeda and about revenge.

I've always been obsessed by visual art as I have been by music personally, but that doesn't mean anything professionally.

I'm a bit of a caveman - I don't go out into the digital space very often. I lie facedown on the grass and count how many bugs I can find.

When I listen to my favorite songwriters, they have such simple melodies and chords. I occasionally manage to stop at the right time, but all too often I keep on going until I have way too many notes and words. But that's just what I do.

The saddest part of the human race is we're obsessed with this idea of 'us and them,' which is really a no-win situation, whether it's racial, cultural, religious or political.

A guy and a girl can be just friends, but at one point or another, they will fall for each other... maybe temporarily, maybe at the wrong time, maybe too late, or maybe forever.

I've never been much of a craftsman, in an educated way. But I think just the experience of writing makes the avenues I follow a little more efficient in some ways. At the same time, when you're young, you're a little more fearless, and there's less of an internal critic.

The idea that we're somehow centrally important to the planet's existence is pretty comical - although I'd like us to be.

When I write the set, I try to create something that will not only be interesting for the audience, but will have a flow for the band, too, so we don't get boring.

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