To deal with the stark reality of having hit or hurt a woman or child, to deal with the initial responsibility you have not to do that and the knowledge you did do it, can be incredibly hard.
I went into acting because I had to make a good living. I had a child now and I had to support him any way I could... I wasn't happy, but I wasn't unhappy. I was just doing what I had to do to survive.
One of my beliefs is that there are certain institutions within a community which stand for the spirit and heart of that community, there's the church, the local football team, the local pub and the theatre.
Once in a while I'll get moved to do some exercise. It's something I long for but the biggest problem is bending down and putting my tennis shoes on. Once I go out I'm OK.
Yes, your home is your castle, but it is also your identity and your possibility to be open to others.
My father was my main influence. He was a preacher, but he was also a history and political science teacher, and since he was my hero, I wanted to follow in his footsteps and become a teacher.
Paul and I were both struggling actors. One night he would serve me in a restaurant, and the next night I would serve him. It was what out of work actors did.
Sometimes I feel an obligation to be accessible as a personality, but for me the driving force since the beginning has always been good work, taking risks, trying new things. If the door opens, go through it. Always go forwards.
People thought me a bit strange at first; a blond haired, blue-eyed Norwegian who sang Mexican folk songs, but I used it to my advantage and got a job. And so the music became my ticket to education.