My love songs are very personal and quite weird. They don't really have the big radio hit choruses because basically they're my therapy, stuff I have to get off my chest.
But once you've made a song and you put it out there, you don't own it anymore. The public own it. It's their song. It might be their song that they wake up to, or their song they have a shower to, or their song that they drive home to or their song they cry to, scream to, have babies to, have weddings to - like, it isn't your song anymore.
I would love to get a Moonman! I'd put it next to my other awards. I don't have a cabinet right now; they're just kind of all around my flat, one next to the TV, one in the bedroom. So, I'd have to build a cabinet.
I'm quite arty. I didn't know whether to become an artist or musician but I realised I could paint with music. All my songs have colours.
I don't think that there's much that sets me apart from other musicians, but I think there are definitely things that set me apart from other kinds of artists. I feel that musicians do it their own way, write their own songs and put on a great live shows.
My parents worked in the art world. They were really supportive of my music in that they allowed me to drop out of school and move out of our home, which not many parents would do.
Music is a powerful tool in galvanizing people around an issue. There's no better way to get your point across than to put it in a beautiful song.
If I can put on my album in a car or on my headphones and listen to the whole thing and love it, that's what I'm going to be happy putting out there.
I've never dated anyone in Hollywood - or anyone famous, for that matter. I don't know that I'm ever gonna write a song that you will know who it's about.
The public has heard the stereotypical love songs a million times, and they've heard the stereotypical life-or-death songs millions of times. It's good to mix it up a little bit.
I saw Damien Rice in Dublin when I was 13, and that inspired me to want to pursue being a songwriter... I practised relentlessly and started recording my own EPs. At 16, I moved to London and played any gigs I could, selling CDs from my rucksack to fund recording the next, and it snowballed from there.
I find the whole concept of women screaming at me so odd. It's very flattering, but I don't think I will ever consider myself to be a sex symbol.