I grew up in an African household, so lots of chicken, lots of rice. We ate Jollof rice, a very West African dish.
The fashion industry needs to breed a whole different way of thinking. We need more diverse people working in all facets of the industry.
I come from a family who didn't have much money but raised me to believe that money wasn't the most important thing in the world. We had enough; we were happy.
If you put one model in a show or in an ad campaign, that doesn't solve the problem. We need teachers in universities. We need internships. We need people of different ethnic backgrounds in all parts of the industry. That really is the solution: you have to change it from the inside.
Social media and technology are democratising and opening up fashion and the process of fashion for all - this has good and bad sides, but that comes with any change.
I've learned to put a big value on having a life outside of fashion, and I think that's what's saved me, because the fashion industry can suck you in.
People like me thought America was the best place to be creative, to be free to create, to have the freedom to be who you are.
I didn't grow up with money; I didn't come from a rich family. But what fashion gave me was an escape into a world of creativity: if I couldn't afford that Junior Gaultier jacket, then I'd get one from the market and customise it.
Growing up, I loved the imagery I saw from America as it celebrated being the land of the free and home of the brave.
I realise I am stepping into the shoes of a hugely respected editor in the shape of Alexandra Shulman, someone who has chosen to leave at the top of their game with a legacy of 25 years of success.
Coming from a family who put a lot of emphasis on academics, I always thought I was going to be a lawyer.