I think part of the process of putting out a record is always looking back because, by the time a song comes out, it's been a year since you wrote it.
I'm always the one sitting at the merch table and talking to everyone at the show - and I think it's because I have this deep fear that if I'm not approachable or I'm not there, people are going to think I'm a brat.
When I was 18, I borrowed my parents' car, and they are super supportive. They might give us snacks for the road, but it's not like they are paying clubs to book us.
It was a really long process, dropping out of college. I was there for a semester, then I would take a semester off and go on tour, then I would go back for a semester.
One of the cool things about traveling and being a musician is that you meet so many people who have studied different things and have different careers.
If I could have a record that represents every stage of my life, I'd be putting out one a month. Everything is always changing, and so is the way that I feel about stuff.
Once you're in a position where you can choose to not be around toxic environments, just do that as much as you can.
I played my first show when I was 17, and that was a big moment. I realized it was something I could keep doing.
I definitely think that touring is a really crazy lifestyle and makes it hard to live a normal life and have relationships and friendships.
I kind of like the idea of creating my own literature within my albums. I definitely thought about that when I started writing songs.
I don't actually have problems dealing with corporate situations. There are times I've railed against it, but there are other times when I'm like, 'I'll take your money, no problem.'
It's funny: 'Next Thing' was written in a time of my life when I was actually really naive and thought that I was wise.