I admire writers who can remain objective and distanced, but that doesn't seem to be in my toolbox somehow. I have to care, I have to have skin in the game.
With 'Red Sonja', it's a single character leading a book although there's a supporting cast, whereas 'Secret Six' is basically six characters who have equal time and equal place in the book, so it's got a team dynamic that 'Red Sonja' doesn't have.
I've written, like, 450 comics, and 'Secret Six' was the first one I've had ship late, ever. So it took a lot to make that happen. So we had a little bit of a stop-and-start, and then we had Convergence, and then Issue No. 2 of 'Secret Six'.
Batman has what is quite possibly the best rogues' gallery every created. People who have never read a comic can name half a dozen of his foes, and that's barely scratching the surface.
The fishnets on Black Canary never bothered me: they fit her character. It's the same for me with the bikini... most people don't wear a lot of clothes in these stories, and it's a big part of what makes her instantly recognizable. Do I want her in a raincoat? Not really.
I'm excited for Christy Marx taking over 'Birds of Prey'. I adore 'Rachel Rising' by the great Terry Moore. I'm also a stone cold Scott Snyder fan; the guy is a joy to read and a pleasure to work with.
I have had a lot of dreams come true as a writer... I've gotten to work with artists I adored as a reader; I've gotten to write characters that changed my life as a kid.