Gao Xingjian

Novelist

24 Quotes

The destruction of Chinese traditional culture didn't start in 1949. It started long before that, with the succession of revolutions. It was particularly bad during the Cultural Revolution, the destruction of traditional Chinese culture.

Various political parties, even if they're in direct opposition with one another, still say they are the spokesperson for the people. The writer must speak his own words and not get mixed up with politics.

In the history of literature there are many great enduring works which were not published in the lifetimes of the authors. If the authors had not achieved self-affirmation while writing, how could they have continued to write?

Observing humans and observing oneself yields a clear-minded starting point for literature.

If you want to do anything, do it now, without compromise or concession, because you have only one life.

A writer has to fully defend his rights and his own worth.

Freedom is the basic prerequisite for writing.

I don't want to be a strong hero who can save society. I just want to save myself.

It's in literature that true life can be found. It's under the mask of fiction that you can tell the truth.

When I completed writing 'Soul Mountain,' I more or less closed the accounts with China for myself. I was 50 years old when I left, so China is already within me.

If you're not perfectly conscious of yourself, that self can be tyrannical; in relationship to others, anyone can become a tyrant. That's why no one can be a Superman. You have to go beyond yourself with a 'third eye' - self-awareness - because the one thing you cannot flee is yourself.

Love is so holy, so confusing. It makes a man anxious, tormented. Love, how can I define it?

As a male writer, women are always what men pursue, and their world is always a mystery. So I always tried to present as many views as possible on women's worlds.

I was born Chinese, and I write in Chinese. I don't think there's any need to evade this... to a writer, as to a person, what matters is not his political label or his nationality, but whether he is a person and whether his work is worth looking at.

Many intellectuals feel themselves to be Supermen who are spokesmen for the people. But in my opinion, they're to be pitied. Under Mao's dictatorship, these poor sheep suffered the same fate as everyone else.

Since childhood, I'd dreamed of making a film, but producers in France and Germany wanted to make commercial films with chinoiserie. I refused.

When you use words, you're able to keep your mind alive. Writing is my way of reaffirming my own existence.

Literature is higher than politics, if not actually above politics.

When I first heard that I had won the prize, I thought that it was something for myself, that it was something personal, recognition of my writings. But there is such a strong reaction from Chinese people in particular. It's been very passionate, overwhelming and passionate, Chinese people from all over the world.

Literature hasn't come up with any new themes. The literature of all different times - it's still dealing with how one resolves issues of existence.

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