Actor

I would love to do Broadway again.

I bartended for a catering company for two or three years.

When you're on a series that's been cancelled, there's a little bit of a stink on you.

You can't be funny for funny's sake. You try to get as outrageous situation as you can but it always has to be believable and based in real character motivations and what people would really do.

When you do well in a movie that's seen as really great, you're revitalized for six weeks.

I joke that my niche in Hollywood has been naked foreigners.

I've been doing silly voices since I was a child.

Guys will definitely settle for women who get the joke. But a woman who can make you laugh? It's not high on a guy's must list. Perhaps it should be.

I had kind of sworn off network TV a while ago.

Getting over someone is a grieving process. You mourn the loss of the relationship, and that's only expedited by 'Out of sight, out of mind.' But when you walk outside and see them on a billboard or on TV or on the cover of a magazine, it reopens the wound. It's a high-class problem, but it's real.

There's no experience like on-the-job training.

You know, I was a huge fan of comedy and movies and TV growing up, and I was able to memorize and mimic a lot of things, not realizing that that meant I probably wanted to be an actor.

The craft Emmys are kind of the kids' table at Thanksgiving. You're not really invited to the big dance. It's still really, really exciting, and the statue still counts.

I did a lot of theater in college, and I knew that not many people make it, but I just figured, 'Well, I really want to try acting while I'm young, and I don't ever want to look back and say that I never gave it a try.' I fully figured I'd be back in grad school - probably for psychology.

I've done literally 100, 150 different characters.

I tend to not watch things that are current. And then if everybody swears it's amazing then I'll like watch the whole series in a weekend.

When I was young in L.A. and I couldn't get into clubs or restaurants, I would call imitating celebrities and get a table, and it would work often. I was either Stallone or Mickey Rourke: 'This is Sly. I may be late, but my buddy Hank will be there early.'

I've done literally 100, 150 different characters. Some of them have only appeared for a line or three. But the point is, every sound I can make has been harvested.

I bartended for a catering company for two or three years.

A lot of times, when I record with a group, I'll stay after class for another hour or two and go, 'Let me try a bunch of things I was thinking of, as you were doing that.'