With 'Stones is His Pockets' you have effectively a bare stage with two actors and yet a whole world in rural Ireland is created. There's the countryside, the bar interior, the dressing room and the star's bedroom.
I would quite like to see stories that are not necessarily to do with the violence, because I think there was quite a lot of normality in our world - but it is never reflected on the screen.
There are certainly many British plays which go down far better with Dublin audiences than they would in Belfast.
One of the issues with the fight scene - especially with actors - is that when the adrenaline gets going you lose the plot. Before you know it, you've hit somebody and you've hit them harder than you meant to.
Going back to when I was younger in this business, you did something that would be screened in various places and this sort of popularity never occurred to you. Now you do these things and there are so many more platforms, there's many more things being put out on a global basis.
The Sons of the Harpy are basically the people who represent the old regime. They don't want Daenerys in there governing them. Daenerys has this attitude about the fighting pits being reopened, which is part of their tradition. There's quite a considerable resentment to the fact that she doesn't want this to happen.