The establishment, the newspapers, they try to create something called Scottish literature, but when people are actually going to write, they are not going to necessarily prescribe to that, they'll write what they feel.
It's ironic that the growth of Scottish nationalism has precipitated in the English the sort of hand-wringing the Scots have always done over who they are.
There's something about the modern era where it's very hard to transgress - we're all so online, easier to track by mobile phone - so you have people who do it on your behalf.
It's very difficult to be objective about yourself and your own circumstances, but one thing I do know about is that I grew up surrounded by storytellers.
Before I started writing, I'd never read much fiction. I was more interested in non-fiction. I'm taking the same approach to theatre: I can operate from a position of ignorance and make up my own rules instead of being bound by customs and practice.
I've eaten ice cream from all over the world, but until you've tasted Graham's from Geneva, Illinois, you haven't had ice cream at all.
When I first started to get into writing, it was via music. I'd generate ideas for songs that would turn into stories, then they'd turn into novels. I was biased toward music.