There are different stages when you fly. The first stage is the dollhouse effect, seeing everything on Earth like it's a model. Suddenly, all of your concerns seem very small.
If you think about art, if you look at Rembrandt and Vermeer and Caravaggio, if you look at Turner and Constable and all the Impressionists and the Hudson River School, there's a tradition of light in art, especially painting.
At Roden Crater, I was interested in taking the cultural artifice of art out into the natural surround. I wanted the work to be enfolded in nature in such a way that light from the sun, moon and stars empowered the spaces. I wanted to bring culture to the natural surround as if one was designing a garden.
I feel my work is made for one being, one individual. You could say that's me, but that's not really true. It's for an idealized viewer.
The cardones cactus is very similar to saguaro cactus in Arizona. These cacti only grow in very specific, particular places.
My mother did not have a toaster oven and would toast bread in the oven, which I thought was stupid. They didn't do cars and electricity, that kind of stuff.
I like illusion when it is so convincing that we might as well see reality this way - I like to present to our belief system something that is convincing, that 'we know not to be.'
Usually we are illuminating things instead of looking at the light itself. But I like this quality of the light being the revelation.