Strangely, or maybe not so strangely, a lot of the roles that I am offered are of Muslim characters, maybe because I looked a certain way in 'Neerja.' But I am actually Parsi.
I think that's the magic of any part - unravelling the mystery of what kind of person your guy is based on the words he says and the actions that he does.
I heard that Sanjay Leela Bhansali has an eye for detail, and it shows in his work, but seeing it firsthand is a powerful experience.
I am interested in seeing 'Mard Ko Dard Nahi Hota' by Vasan Bala, so I would like to work with him, and I also would like to work with Vikram Aditya Motwani, Abhishek Chaubey, Vishal Bhardwaj, and Kabir Khan.
I would love to work with anybody who has a good story to tell - Patrick Graham, Vikramaditya Motwane, Anurag Kashyap, Neeraj Ghaywan, Coen Brothers, Wes Anderson. I don't know why I was not considered for that Indian guy's part in 'The Grand Budapest Hotel.'
I did plays because I liked plays. I studied psychology because I was fascinated by the subject, and I hope to keep doing films because I love the medium.
In 'Padmaavat,' you are pushed to be as good as the frame, to have a presence that lives up to the grand, operatic, intricate, beautiful frame that you inhabit. I love trying to rise to that.
'Flip' is an anthology of four short films, and I am in the one called 'Massage,' along with Sandeepa Dhar and Viraj Patel.
If the role is complicating and challenging enough for me to push me out of my comfort zone, then I get very excited.