I feel, in drama, you don't need to be fed everything. Even though sometimes when you watch, you want to know what happened and you want to see it, I feel like sometimes it's so much stronger to see the effects that those actions have had.
When you wear the costumes in a period drama, you already feel like a different person - the clothes make you stand differently, change your posture, the way you walk. You really have to have stamina - you have two hours in hair and makeup, and then another hour to remove all that.
I feel, in drama, you don't need to be fed everything. Even though sometimes when you watch, you want to know what happened and you want to see it, I feel like sometimes it's so much stronger to see the effects that those actions have had.
I feel like when you perform in a period drama, it's so easy to transform yourself into someone else because the costumes are so different.
I'd done acting at a local drama school on Saturdays. I just enjoyed it. It never entered my mind I could possibly do it for a career.
My first professional audition was for a radio play in Manchester. That was the first audition that I got. It was my first paid job, which I think was, like, ?150, and I thought it was megabucks.
I'd love to do something where I have to completely transform. Or something that is very physical and would test me with discipline in that way. Something that I'd maybe have to train for.
There's something refreshing about going into filming and not brushing your hair, letting your toenails chip, drawing darker circles under your eyes.
In 'The White Princess,' the women are leading the story, and they're holding everything together. It's definitely a world of women's empowerment.
I'd always wanted to do costume drama, but period dramas often become very wooden. Just because they're born in the 1400s, all of a sudden people start losing their sense of humour or their personalities.
You have to be confident enough to pick yourself up and go to 30 meetings and be told no every time and not take that to heart.