My passion in life, besides my family, was always music. From the time I was a kid, I was obsessed. I'm like the ultimate fan.
I think the record industry has gotten to be more about labels wondering what the new single is rather than labels nurturing artists. It's gotten away from making a full album of music that someone would want to listen to all the way through.
The great thing about living in New York is the constant change of things. It inspires me to keep moving, push forward, question ideas.
A part of my kind of design and inspiration ethos is that I carry around a leather notebook and I sketch in it, doodle in it, write notes in it, and I put pictures in it.
A black suit can be classic and timeless and certainly for most occasions. But remember, it's not so much the color of suit as it is about the fit, cut, style, and, of course, attitude you have when wearing it.
Sometimes, we need an obstacle to challenge us and push us further than we would if things were always status quo. I'd say one example is the market crashing. It's like, just when we started to get into a rhythm, everything changed! But, it taught us a great deal about how we do business and how we can improve.
I enjoy looking at old photos of some of my favorite rock icons, but also get inspired from the younger bands that are coming up and really creating their own style, their own image.
Music has always been a dominant force in my life. As a young kid, it was a way for me to escape everyday life.
I always talk about a great-fitting pair of jeans. Girls are concerned about the way their butt looks in a pair of jeans, and I think a guy having a really great-fitting pair of jeans is just as important.
Style is timeless. It transcends generations - it's enduring. If you're thinking about fashion, it's of the moment. And that doesn't mean that it's not important at times to embrace trends and that type of thing, but style is less about trends than it is about how you carry yourself.
In the early '70s, coming out of the '60s, it was very hippy or it was very uniform, like The Beatles all wearing the same suit. Into the '70s, it became much more about a personal style. You had the glam period, which was a lot of fun, and then you went into punk.
I spent a lot of years working for Ralph Lauren, and he had so many copycats, from Tommy Hilfiger to Abercrombie & Fitch to J.Crew.
When you do men's wear, it's less about thinking outside the box than about pushing the walls of the box outward. Men want to be evolutionary, not revolutionary.
For me, growing up in Detroit, scarves meant cold weather. But I remember working in a store, and we had some silk scarves - like, wide scarves with fringe - and because I had seen the English rockers wearing skinny silk scarves, I took the scarves, cut and sewed them, and made them long - almost like a tie.
The thing about the basics is they don't really change - it's the details and the proportions that change. The shirt may be cut slimmer or looser, the suit might be darker or lighter, the sneakers might not have laces, but you're still talking about shirts and suits and sneakers.
There's rock n' roll in hip-hop, there's rock n' roll in pop music, there's rock n' roll in soul, there's rock n' roll in country. When you see people dress, and their style has an edge to it, that rebellious edge that bubbles up in every genre, that's rock n' roll. Everybody still wants to be a rock star, you know?