It's called 'Crazy Rich Asians,' but it's really not about crazy rich Asians. It's about Rachel Chu finding her identity and finding her self-worth through this journey back into her culture. Which, for me as a filmmaker, exploring my cultural identity is the scariest thing.
It's called 'Crazy Rich Asians,' but it's really not about crazy rich Asians. It's about Rachel Chu finding her identity and finding her self-worth through this journey back into her culture. Which, for me as a filmmaker, exploring my cultural identity is the scariest thing.
I've gotten scholarships from the Asian-American Directors Guild of America society and things like that, and those things helped me, even if I didn't realize how much.
Everyone who shoots dance sequences does it in a different way. Everyone who shoots fight sequences does it in a different way.
Once you see dance as a weapon - and everyone has a different weapon - it makes dance really interesting.
Representation means having characters with layers, showing them as human beings, so we can relate or have mixed emotions for that character.
Maybe I'm not the right person to do it... but I've learned that I have some power to help stories be told the way they naturally need to be told.
It's weird because movie-making, and especially movie theaters, have always been so old-school, and it wasn't until 3-D that a lot of them were forced to have digital projectors and even digital distribution.
I remember going to Taiwan for the first time and... I didn't realize that everyone looked like me here and what that'd feel like.
I had to see if I'm a real filmmaker. I mean, I have proven myself in movies and franchises, but am I an artist? Can I contribute something to a medium that I love so much?