I hear odd tracks from my albums every now and again on the radio, or maybe a friend plays me something.
But I don't have a very good track record with royalty. My dress fell off in front of Prince Charles at the Prince's Trust, so I'm just living up to my reputation.
My music can be a little obscure. It does worry me that the music might be too complicated for people to take in - that they have to work too hard at it.
I've read a couple of things that I was sort of close to having a nervous breakdown. But I don't think I was. I was very, very tired. It was a really difficult time.
My parents weren't keen on the giving up of school at the beginning to go into singing and dancing, but once they saw I was serious about it, they gave support. I was quite stubborn about my decision, and in the end, they realised it was for the best.
People ask what I really did in the three years between 'The Dreaming' and 'Hounds of Love.' I spent it with my family, living a normal home life.
I have this desire in the back of my mind now of making music and film at the same time - putting the two together.
I'm a very strong person, and I think that's why, actually, I find it really infuriating when I read, 'She had a nervous breakdown' or 'She's not very mentally stable, just a weak, frail little creature.'
In your teens, you get the physical puberty, and between 28 and 32, mental puberty. It does make you feel differently.
It's not that I don't like American pop; I'm a huge admirer of it, but I think my roots came from a very English and Irish base. Is it all sort of totally non-American sounding, do you think?
I had friends but I was spending a great deal of my time alone and for me that was vital because there's an awful lot you learn about yourself when you're alone.
I could find faults with all my albums because that's just a part of being an artist - it's hard being a human being, isn't it?
I understand that people want to just listen to a track and put it on their iPod, and that's fine, there's nothing wrong with that, but why can't that exist hand in hand with an album? They're such different experiences.
I think I was just lucky to be brought up in a very musical family. My two older brothers were, and still are, very musical and very creative, and music was a big part of my life from a very young age, so it is quite natural for me to become involved in music in the way that I did.
I had an incredibly full life with my imagination: I used to have all sorts of trolls and things; I had a wonderful world around my toys and invented people. I don't mean I had imaginary friends; I just had this big imagination thing going on. I didn't need any imaginary friends, because I had so much other stuff going on.