Uncle Brett had a definite vision that he was after, I don't think having a famous father affected him much.
I'm not photographing the model in the classic sense; the model is playing a part in my photographs. It's more like theater. I always work with models I know, and I let them participate in deciding how to act their part.
It doesn't matter what you do, as long as you're fulfilling that inner need, and for me the need is more the process than the finished product. My photographs are stories of the process.
No matter how fast I could do it with the digital camera I don't think I would get the same thing out of it. The passion I have for formulating an idea stands alone. It is the important essence of what I do.
Growing up, I didn't give my grandfather's photography a second thought. I wasn't involved in his work, except that I helped my dad print his negatives.
To me, that is the essence of me as a photographer. It is those ideas, working with them, formulating them and eventually putting them down on paper, photographing them and then going on to the next step.
If you're not going to tell something if you're not going to expose something it's real easy to go in and photograph from behind the camera and not expose any of your weaknesses.