I feel like when I get the demos - I get a lot of demos - but when I get the right demo, I get very inspired. I produce around it, and it often goes very fast.
I'd love to work with some of the people I've remixed for - Ed Sheeran or Chris Martin or The Weeknd. But it's not just big names like these guys that I want to collaborate with.
I really enjoy doing remixes, but I don't want to be known as just a 'remix artist' for the rest of my career.
When I go into a store and find a T-shirt that's well-designed with a great fabric but the fit is all wrong, the T-shirt is ruined for me.
2015 has been a crazy year for me, and Spotify have supported me right from the start. It's an honour to be their Breakout Artist of the year, and I'm super excited to see what we can do together in 2016!
There's just a completely different vibe at festivals. Everyone gets to hang out and enjoy their favorite music all day. I really do try and play as many festivals as possible!
Edinburgh is where I started. A lot of the remixes I made were done in my room there, and it was a good place for me to make music.
Avicii's melodies were so simple and cool, and they were actually similar to the melodies I played on piano. I thought if I could teach myself how to produce and get those melodies out of my head and into the computer, maybe I could make some cool music, too.
All my collaborations happen in different ways. Sometimes it's through a chance meeting at a festival or event, while others can happen just off the back of me liking their music and reaching out.
I find inspiration in what artists and regular people on the street wear, but I'm also very influenced by what I like to wear since I style myself.
I guess the biggest thing I had to get used to was people staring. At first it was like, 'Am I wearing something odd? Is there something on my face?' It was kind of weird because when I go to the grocery store, people, they're not necessarily coming up to me asking for a photo, they just... look at me.