In the future, I would like to do more films with contemporary themes. Perhaps comedy, which is something I have done in theater but not in cinema.
To be able to work with people who I have respected and admired, to be a part of something like the Cannes Film Festival, is surreal and brilliant.
I've had letters from people who have read my articles and said, 'I'm a guy, I'm 18, and I've not come out to my mom and dad yet, but it was so nice to hear your story, and you know, I wish your article would have been longer, because you gave me hope for the future.'
My mother did like to make clothes, and in I think the worst picture I've ever seen of myself - I must have been eight or nine - she'd dressed me in a matching t-shirt and Bermuda shorts ensemble which I think looked like somebody had thrown up all over it. I was so glad when that sewing machine stopped working, I have to say.
It was very weird because for a long time no one really recognised me from my films, but 'The Hobbit' has totally changed that, and I've had some really special moments, especially with youngsters.
I moved to Cardiff when I was 17 and never needed a car. When I came to L.A. for my first job there, I needed a car, so I had to pass my driving test.
And I knew that, being an actor, you have to take the rough with the smooth and the highs with the lows. That's how it is.
I always find cardio the most monotonous. Running on a treadmill shows me why hamsters are so crazy.
Being involved in 'The Hobbit' has been a huge boost for me. It's really put me on the map and helped me be taken more seriously as an actor.
I guess maybe directors see a face that seems to have been lived in. I know that my face has been lived in, yeah.
One thing Tolkien does incredibly well - and this is from a lay person's point of view; I am not scholar or anything - is that you don't have to make an effort to envisage the worlds that he writes about.