It's not like I see colours. It's just, for me, an incredibly strong association between music and colour.
I remember going to church at home on Christmas in 2016, and people wanted to take my photo. When I'm home in Maryland, I don't leave the house. That's a weird feeling.
Ask about music growing up, I'll tell you I grew up playing classical music, and I didn't grow up in a musical household.
The thing about fans is you don't get to choose your own. But every time I meet a fan, I'm like, wow, we would totally be at the same house party.
For me, it's important to ask what are you making, and what's the public's relationship to that. And I say public relationship because I don't really care so much about any sort of reception.
'Alaska' was filmed at my family's farm in Maryland; 'Dog Years' was filmed at the summer camp I grew up going to in Maine.
Ask me my influences, I always talk about Bjork and Beck because they're independent voices in the music industry.
I feel really held in being vulnerable. That's always been the kind of music that I've gravitated to as well, but to feel really supported by my audience in that is a real privilege.
The reality of the music industry is that I was a 22-year-old college graduate who was able to walk into boardrooms and be the one in charge. It's incredibly empowering. I wasn't ready - I definitely was not ready - but I was prepared as I possibly could have been because I had studied the music industry.