I had this mentality that I had to go out to everyone's show so everyone at the end of the week would come to mine - that I had to go out and rub elbows, find exposure. A small part of that is true. But if something is good, people will notice when you put it out.
I remember when I got pregnant, I had several peers of mine, women, who said to me, 'Now that you're pregnant, you're probably gonna give up the music thing, right?' I was like, 'I'm not crippled. I'm just having a baby.'
I never thought it was fair that women couldn't travel freely because it was dangerous. I'd stay by myself on the North Carolina coast for a couple of weeks, with my dog and my gun, and my mom would be terrified. I told her, if I stay home, a lamp could fall on my head. You can't spend your whole life inside because you're scared.
A lot of times, people say, 'You're so much like Loretta or Tammy Wynette.' But I feel kind of like one of the men. I'm like David Allan Coe. I've been to prison, man!
What I always liked about country music was the stories, the ability to talk about very real things like divorce and drinking and death and jail.
A lot of people like mainstream country because they're not given another option of country music to like that's modern.
I taught and studied dance in college, and for over a decade, I thought that would be my career: tap dancer, ballet dancer, modern dancer. I still find myself doing some tumbling or interpretive dancing in the grocery store every now and then.
When I was about to enroll for my third year of college, I ended up dropping out and moving to Nashville.
I'm not from the South, but I love country music. And country music is really big in the Midwest. Connie Smith came from Ohio. Jessi Colter was from Arizona.