I was on record before I did 'The Hobbit,' saying I don't care at all about 3D. And I suppose I should now say I care a lot about 3D. I've always loved 3D, I think everything should be 3D, and I think it's just a shame 'The Godfather' wasn't in 3D.
All my life, I've felt people are looking at me. So, when I became known, it was like, 'I'm not imagining this any more. People genuinely are staring at me. Oh, Christ, now they're coming over!'
The design of 'Love Actually,' the typeface, the basic line of that poster and that DVD cover has been ripped off so many times.
What makes Shakespeare eternal is his grasp of psychology. He knew how to nail stuff about us as human beings.
I'm always interested with other actors in what their process is, and are they still interested in acting, as opposed to being a star.
Being an actor is just like being any other sort of self-employed person - we're all just happy to have a job in the first place, but we also thrive off the uncertainty of it.
I'm very proud of 'The Office' - it was one of the best things I'll ever do. But you do become a slight victim of your own success in the sense that people think that's you, that's what you are, and that's what you'll play forever.
True heroics, obviously, is not the absence of fear, but having that fear and doing something anyway.
I think when see you a character on the screen who is actually being touched by the world, and the stuff is actually landing on him, it makes you empathize.
Don't get me wrong - I'm a big fan of things American - but when American people do British stuff, it's so universally dreadful.