Michaela Coel

83 Quotes

I have to go to sleep with music.

I wrote a play at drama school, which was a dark comedy - people laughed and cried. And then my script of one of the shows was picked up by a comedy sketch company... so then I had to write comedy.

Socialisation is not optional. It's an inescapable contract, and our birth into the world is our signature of agreement. Norms and ideologies vary from society to society, and most of them weren't formed during our lifetimes but were handed down from one generation to the next.

When you've got African parents, you go to uni, do finance, and go into accounting. But I'm not good with systems. I dropped out in my final year of college to become a Christian poet. Then went back to do my A-levels and went to uni in Birmingham to do political science and theology. I lasted 12 weeks.

I think you just have to do you, whatever that is, and not feel like you have to be a certain way for other people to like you.

I'm way too honest. It can backfire.

The first time I got into astrology was being in New York. I was like, 'Oh, this is a real thing here!' Now, I'll Google what your sign is and what my sign is to see the predictions of friendship, and I find that really cool. But that's the most I know.

One thing I am quite passionate about is the absence of dark-skinned women in the media, so I have a passion to show dark-skinned women as beautiful, as vulnerable, as people who can be sexually desired and loving people, because it is never really seen on TV.

I'm very rational, so sometimes I need the facts, and if I don't have the facts, then I get huffy, and I move on.

Drama school taught me not to be precious.

To suggest things may be going on in our brains that we aren't fully conscious of, that we unknowingly make classist, sexist and racist presumptions... Well, there just aren't many comfortable ways to take that. And in the face of discomfort comes the mask of defence.

The environment on the 'Chewing Gum' set is where everyone can work to the best of their abilities and everyone is happy. So, if I'm not happy with something, I've learnt that you don't start flailing about; you go in quietly, and there's a conversation.

I don't believe in comedy as a TV genre - I think there's drama that is funny. Because beyond the laughs, there has to be cost, and there has to be heart.

'Chewing Gum' is kind of like the world I wish I grew up in. There wasn't really a sense of community growing up.

In comedy, I often see so many weird race jokes, and it's like, there is no racial diversity in your show to even make those race jokes. The problem is that there is no one in the back to say, 'Hey, that race joke is not really appropriate.'

I definitely believe in spirituality. I like to pray, but I'm not praying to something that I can define; I'm just speaking because I know it does have an effect.

In Britain, we need to start presenting the option of being a writer in front of black women. We need to present the idea of being a writer into poorer communities because the majority of black people in this country are working class. We need to let working-class people know that their voices are important.

I went to drama school, where you learn to clown around a bit. You're walking around in leotards every day for three years, and you're taught clowning and mask work.

What dominates my life isn't the fact that I started off doing theatre. It's probably to do with Christianity, my race, the class I was born into. These are the things that make my work. They make who I am as well.

Being fetishized because of my skin? I've definitely encountered that wall of people.

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