As producers, we can influence where the budget goes, but only the director really controls what tone, what type of movie you are trying to make.
I grew up in Malaysia, and Bollywood is really big there. As a result, I've grown up watching a lot of Hindi movies.
To be a geisha, you have to have to an iron-clad layer around you - around your physical body and your heart.
I have been presented with roles with demand not just a physical ability but mental disciplines as well. 'Memoirs of a Geisha' was not so much about physical exertion... it was much more graceful and contained than that.
In one take, I had to do 24 combat sequences, which is hard. It makes you think, 'I'd better get on my toes again.'
When I made my first film, it was just an adventure. But after my first movie, I guess I got more of a feeling of what was happening around me.
If you were ever a ballerina, you know the pain: just to be able to look like it's all so light, but when they take off their shoes, it's all bloody.
It was like baptism by fire. There was no school for studying acting. You just have to take it upon yourself to learn from your peers. It's about opening your eyes, listening, and watching.
As a producer, what you want to do is make the next hit. But you also want to lead the audience into wanting to watch different movies. You have to vary your content.
Before you get into the mind, you have to inhabit the physicality. Body language is a great way of speaking.
They won't take you seriously because you are a girl. These guys had to understand that you are just as tough as them, and you have to take them on.