I live a very open life. I value my relationship with the fans, and I utilize Twitter and Facebook and my web site, so my day-to-day activities are an open book for me to share with the fans, for better or for worse.
It's all about the music, and I work as hard as I do strictly because of the music. It's not a money thing; it's not a career thing. It's simply to do with me being a music fan with a broad taste, wanting to do different styles and wanting to work with lots of different people.
I can't possibly overstate how much influence Rush had on me as a young teenager. I would say from about 1981 to 1987, they were my gods.
Normally, when I write the setlist for a Dream Theater show, I'll change it up every night, and we can basically play whatever we want.
After I left Dream Theater, and I was doing Avenged Sevenfold, Twisted Sister... all these other things, I made a lot of new fans in a lot of new areas.
After I wrote 'The Best Of Times' for my dad and after I completed the '12 Steps Suite' with Dream Theater, I very much felt like I had said everything I wanted to say lyrically.
I've always had lots of side projects in my life, but what's exciting for me is knowing that Adrenaline Mob is bigger than that.
My time and my legacy with Dream Theater will always be a part of me. It's something I'll always be proud of.
I'm not a politician; I'm a very open, honest guy, and that's the way it is - that's the way I am; take it or leave it.
I love the Dream Theater guys dearly and have a long history, friendship, and bond that runs incredibly deep with them - it's just that I think we are in serious need of a little break.
Any time I say anything about Dream Theater... Honestly, I'd rather not talk about it. Because no matter what I say, it will be twisted and... So I kind of have made myself promise that I won't talk about Dream Theater anymore.