Sometimes I feel limited by people's perceptions of what I can and cannot do, or what I do or don't look like.
We are all capable of so much more than the narrow confines of our regular behavior and our personality. So it's interesting to play different notes on your keyboard.
I take the responsibility of choosing seriously because it becomes an indelible part of your body of work. Something has to sing to me.
I always want my character to have dimension, no matter what phase of life or situation they find themselves in.
I'm doing things that are more artistic again, more close to the material that I love. I don't disparage those things that I did. They're just not as much reflective of who I am.
I feel like the world that ' Condor' lives in is very close to the world we're all living in every day.
There was something about being in front of audiences when I was in elementary school plays that gave me a thrill. It was like the rush you get from a roller coaster drop.
I did a Christmas movie where I played Mrs. Claus because my children's favorite movie of all time was a Christmas movie that my father did in which he played Santa, and I was like, 'How often do they make a movie about Mrs. Claus?' and, 'My kids will love this.'
As the plot of 'Condor' unfolds, you'll understand that nothing is sacred in the pharmacy world or in the behind-the-scenes workings of the CIA and FBI.
I hate it when people use sex as a weapon against the people who are engaging in it. It's so hypocritical.
I hope that doing truthful portrayals of people in a variety of circumstances gives people a kind of subterranean link to those characters.