Mohsin Hamid

Writer

221 Quotes

If your sense of self is destabilised, to imagine being another becomes pretty easy.

Those of us who thought Jorge Luis Borges was a pioneer of magical realism were mistaken; he was a pioneer of science fiction.

Certainly, historically, there has been more attention given in the international media to Indian English-language writers than to Pakistani English-language writers. But that, in my opinion, was justified by the sheer number of excellent writers coming from India and the Indian diaspora.

Oftentimes I deliberately put ambiguity into my books so that... the reader is left with an echo of: 'How much of this was from me?'

Maybe we are all prospective migrants. The lines of national borders on maps are artificial constructs, as unnatural to us as they are to birds flying overhead. Our first impulse is to ignore them.

Capitalism is like the law of the jungle with a few rules. There isn't another system that works for our society but left unchecked, capitalism can have a dehumanising effect.

When the machine of a human being is turned on, it seems to produce a protagonist, just as a television produces an image.

'Which is stronger, politics or love?' is like asking, 'Which is stronger, exhaling or inhaling?' They are two sides of the same thing.

When I'm writing well, I feel happy. And when I go too long without writing, I begin to implode.

Like many of my friends in the Pakistani diaspora - and many of my friends in Pakistan itself, for that matter - I have sometimes looked at the country of my birth and wondered whether its future will be one of steady and sad decline.

It's not that, living in Pakistan, I feel an enormous constraint on how I can write and what I can say; rather, I recognize that one has to navigate these things... Am I aware of things that one could say that would be risky or that could be dangerous? Certainly I'm aware of those things.

Those of us who thought Jorge Luis Borges was a pioneer of magical realism were mistaken; he was a pioneer of science fiction.

I don't know if I'm truly at home in any language.

Growing up in Pakistan in the 1980s, I lived in the shadow of a tyrannical state.

Islamophobia, in all its guises, seeks to minimise the importance of the individual and maximise the importance of the group. Yet our instinctive stance ought to be one of suspicion towards such endeavours. For individuals are undeniably real. Groups, on the other hand, are assertions of opinion.

I take six or seven years to write really small books. There is a kind of aesthetic of leanness, of brevity.

I'm not a representative of Pakistan; I'm just an example that Pakistanis are different from each other. I believe it in my fiction and I believe it personally.

When the forces are aligning against hybridity, it harms everyone, as we are all migrants. Growing up in Pakistan, I know just how oppressive that kind of puritanical mindset can be.

I believe one can gauge a book's impact only after about 10 years.

Novels are make-believe and play for adults.

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