You can finish the day's filming or the whole shoot or watch something months later and think you could have done it so much better. It's frustrating.
I have this sense of humour which is about as sophisticated as a seven-year-old schoolboy. I get very overexcited and silly.
Period drama is such a huge umbrella term: it seems to cover everything from Claudius to something from the 1920s.
I wouldn't feel comfortable talking to someone I didn't know very well and, beyond that person, a readership of X millions, about things I think are private.
It's funny landing parts now where I'm somebody's mum. I remember the first time I was asked to play a mum. I was easily old enough, but because I didn't have any children, I thought, 'That seems really grown-up.'
I was told it might be quite difficult to conceive, so it really was a great blessing when my pregnancy suddenly happened. I had been diagnosed years ago with polycystic ovarian syndrome, which can affect your fertility - but luckily, in my case, it didn't.
As an actor, I'm in such a privileged position because my work is job by job. If something doesn't fit in with family life, there's more flexibility.
I know it sounds ridiculous, but I haven't quite got over the miracle that you plant things, and they do sprout up.
I'm guilty of it myself, sort of thinking, 'Classic novels: snoozeville.' But there is a huge amount of wonderful material.
Acting was a slow-burn thing. I found it was something I really, really liked doing, but it wasn't until my third year at drama school that I actually thought, 'Oh, right, I'm trained for this now; I'd better see if I can do it.'
I've enjoyed all the work I've done, and I feel quite lucky that I haven't been playing sweet girls all the time.