I dream of Poland becoming a modern society that is defined not by the crippling nature of history, but by our individual achievements, a sense of our own self-worth and ideas for the future.
I dream of Poland becoming a modern society that is defined not by the crippling nature of history, but by our individual achievements, a sense of our own self-worth and ideas for the future.
The first photograph I ever experienced consciously is a picture of my mother from before she gave birth to me. Unfortunately, it's a black-and-white photograph, which means that many of the details have been lost, turning into nothing but gray shapes.
But the fact is we did have colonies in the east of Poland, we did have a slave economy there. But this is not common knowledge - or part of our national myth. It goes against the current romanticised view of the government, and much of the country, that Poles have always been victims, never oppressors.
There is no official censorship in literature, but I feel a certain fear when I see that a kind of self-censorship is developing in Poland. Authors are somehow afraid of expressing what they really think or feel because they fear political consequences.
Well-written novels make you more empathetic towards other people. You can identify with someone who isn't you. You can change your identity. A 14-year-old boy can become Anna Karenina. It is a miracle.
I believe absolutely that words must be treated as material weapons, every invective or threat as violence and aggression.
We know so much about planets and the universe and small particles and we do not know anything about the inner state of our own bodies, we do not know about this microcosm we have inside our skin.
Sometimes I wonder how my life would have worked out if my books had been translated into English sooner, because English is the language that's spoken worldwide, and when a book appears in English it is made universal, it becomes a global publication.
But sometimes I fear that the people of my country can unite only beside victims' bodies, over coffins and in cemeteries. Like tribesmen who dance around old totems, we ignore the living and can only appreciate the dead.
I believe in a kind of literature which makes clear that, at a deeper level, below the surface, we are tied together through invisible but existing threads. A kind of literature which talks about a lively, ever-changing world of unity, of which we are a small, but not insignificant part.
Everything that was interesting was outside of Poland. Great music, art, film, hippies, Mick Jagger. It was impossible even to dream of escape. I was convinced as a teen-ager that I would have to spend the rest of my life in this trap.
I believe absolutely that words must be treated as material weapons, every invective or threat as violence and aggression.