I think from an actor's point of view, you always want something to play that's dramatic or something that feels like it could be very bold in choice. And of course, the boldest possible choice you could play at the end of a character's life is death.
Being typecast is the enemy of any actor, so if you can try to do something that flips on the head peoples' ideas of who you are or what you can do, that's my biggest aim.
My mom was a history teacher, so I couldn't really avoid history when I was growing up. But we're very light on American history. We don't really have great opportunities to study both the Civil War and the Revolution.
Being typecast is the enemy of any actor, so if you can try to do something that flips on the head peoples' ideas of who you are or what you can do, that's my biggest aim.
I will say the scope of the 'Supergirl' pilot was incredible. I've personally never been involved in something with such a huge production value and scope.
From an actor's point of view, you never really like to hope that anything will go beyond the pilot. I'd always say to my agent every time I filmed a pilot, 'Great! Well, I'll see you at pilot season.'
The nature of an ensemble means when you're a supporting character and not the lead character, you get little tidbits here and there, but you're usually there to provide bits of comic relief and little bits of action or something.
Since I finished on 'The Mentalist,' I didn't need to be so near to the studio, so we decided to move a bit further out where you can get more house for your money, too. It definitely feels more like home.
I think from an actor's point of view, you always want something to play that's dramatic or something that feels like it could be very bold in choice. And of course, the boldest possible choice you could play at the end of a character's life is death.
The nature of an ensemble means when you're a supporting character and not the lead character, you get little tidbits here and there, but you're usually there to provide bits of comic relief and little bits of action or something.
I didn't want to be an accountant; I found myself being a banker, which was a bit different. I went to university, and I was going to do a Ph.D. in the States, but I didn't get the funding for it, so I had two years where I had a bit of a wobble and didn't really know what I wanted to do, and I ended up working as a banker.
I was doing a scene in a medical tent in 18th-century battle dress, pantaloons and a ripped shirt, and the guy from the crew kept asking me if I was OK, if I was too cold. I told him, 'Are you kidding? I'm from Wales!'
I work in a business of extremes, so when you are with someone who is very calm and logical, it's a great kind of balance to have.
I love Wales, and Cardiff is great, but if I could just have the weather we have in California, it would be perfect.
I will say the scope of the 'Supergirl' pilot was incredible. I've personally never been involved in something with such a huge production value and scope.