I've hung out in the writer's room a few times, but the fact is we've got such a good writing staff, I don't want to get my peanut butter fingerprints on anything.
As you get older as a comedian and keep doing it, what you actually start to cherish on stage is not the build-up to the jokes, but how comfortable you can be in the silence and the non-laughing parts, and how long you can take the audience without a laugh to then get a huge reaction.
There are times when I have to take, I call it a 'silence bath,' where I shut off all of the external gadgets. I go walk around, talk to people, and just live life for a while.
90% of every art form is garbage - dance and stand-up, painting and music. Focus on the 10% that's good, suck it up, and drive on.
This sounds like a brag, but I know how to make good fried rice. I learned in college. There are two secrets - take the rice after you cook it and let it get cold in the fridge. Then cook the egg like you're making a fried egg and just before it's done, dump the rice and veg on it and swirl it around.
There's all kinds of those moments in your life where either through a weird set of circumstances, or a song you hear, or a smell you smell, or one person says something totally out of the context without the meaning that you assigned to it, but you snap back to the way you were when you were 14 or 15. We all deal with that.
There's all kinds of those moments in your life where either through a weird set of circumstances, or a song you hear, or a smell you smell, or one person says something totally out of the context without the meaning that you assigned to it, but you snap back to the way you were when you were 14 or 15. We all deal with that.
Yeah, there were a few years in the early nineties where I really began to hate what was valued as funny and just sort of what was valued in stand-up, period.
Everything we have today that's cool comes from someone wanting more of something they loved in the past. Action figures, videogames, superhero movies, iPods: All are continuations of a love that wanted more.
Here's what I'm afraid of. I know a lot of comedians, friends of mine, who just got into the 'Doesn't matter what I say. It doesn't matter. They're just gonna laugh anyway.'
When you act, you're being asked to pretend in a very rigid, controlled environment. It's very un-childlike. So a lot of times, when you put kids in that situation, you hope they have a better support system outside of what they're doing to bring them back to reality at the end of the day and to keep them well-rounded.
I think the kind of person that gravitates toward New York is a person that's not so much focused on controlling exactly how they appear and how they exit. They're more fascinated with the process.