I bought a Dutch barge and turned it into a recording studio. My plan was to go to Paris and record rolling down the Seine.
The bad part about growing older is I'm going bald. The good part is my nose seems to be getting shorter.
I have terrible hearing trouble. I have unwittingly helped to invent and refine a type of music that makes its principal proponents deaf.
What I'm trying to do is find either existing properties or come up with properties or angles or stories which will create music drama. It's my obsession and most of all I would like to remain working in theatre. I think it's very much alive.
I don't really know any other musicians like me. I grew up backstage with my dad who played in a post-war dance band, so I always feel at home at a venue.
But what was interesting about what the Who did is that we took things which were happening in the pop genre and represent them to people so that they see them in a new way. I think the best example is Andy Warhol's work, the image of Marilyn Monroe or the Campbell's soup can.
I saw the Internet as being something which would allow power mongers to control us, and that we would willingly go to that if it promised us salvation - if it promised to show us who we were and let us find ourselves as we had, uniquely in our generation, through rock music.
I didn't start to collect records and listen to guitar players properly until I went to art school, when I'd already been playing for five years. So my style was already formed, and that's why I think it's so unique.
I needed to give back, give back, give back. I felt guilty about my success. I felt uncomfortable about how easily I had been delivered this extraordinary life that I had.
As a young man, every bone in my body wanted to pick up a machine gun and kill Germans. And yet I had absolutely no reason to do so. Certainly nobody invited me to do the job. But that's what I felt that I was trained to do. Now no part of my upbringing was militaristic.
Entertainment came out of this thing called a television, and it was gray. Most of the films that we saw at the cinema were black and white. It was a gray world. And music somehow was in color.
My father had played the guitar when he was young, and my uncle Jack had worked for Kalamazoo, before the war, developing guitar pickups. So there was a kind of family thing about the guitar, although it was considered something of an anomaly then.
I don't view the fans in the way that most performers do. As a mass of people who have paid money, I know what they want. It's a very, very, very, very, very low common denominator.