Cultural confinement takes place when a curator imposes his own limits on an art exhibition, rather than asking an artist to set his limits.
The museum spreads its surfaces everywhere, and becomes an untitled collection of generalizations that mobilize the eye.
When a finished work of 20th century sculpture is placed in an 18th century garden, it is absorbed by the ideal representation of the past, thus reinforcing political and social values that are no longer with us.
From the top of the quarry cliffs, one could see the New Jersey suburbs bordered by the New York City skyline.
Objects in a park suggest static repose rather than any ongoing dialectic. Parks are finished landscapes for finished art .
Language should find itself in the physical world, and not end up locked in an idea in somebody's head.
Some artists imagine they've got a hold on this apparatus, which in fact has got a hold of them. As a result, they end up supporting a cultural prison that is out of their control.
The museums and parks are graveyards above the ground- congealed memories of the past that act as a pretext for reality.
I am for an art that takes into account the direct effect of the elements as they exist from day to day apart from representation.
Art history is less explosive than the rest of history, so it sinks faster into the pulverized regions of time.