I'm definitely happier dancing in Germany; in the U.S., there's a different level of competition. I find in general that I try to get my voice heard about protecting women. It comes from everything I've been through personally - I'm opinionated, and that doesn't make it that easy.
I'm a very sensitive person by nature. Things move me very easily, like music or videos on Facebook, and I feel for people.
I love to play a character. If I'm playing Cinderella or Aurora in 'Sleeping Beauty' or something like that, then I enjoy classical a lot. But to do just a two-minute solo, purely to show classical aesthetic, is not my favorite thing to do.
I'm not really a girly girl, so for the most part, I'm really into wearing baggy clothes. A little on the grungy side of things for the dance world. I'm not really into the tutus or the flower hair clips, either. As dancers, we're pretty much next to naked with each other all day, so you kind of get used to being not so clothed.
I have a lot of relatives that were dancers and musicians and artists. They basically came out of the womb doing it.
I think that 'Flesh and Bone' represents the dance world very authentically. There's always this aspect of drama put on top of it, and it's showcasing the problems of the dance world, but I've had experiences in reality that were written into the show.
I would like to do some serious drama. I really connect with emotional characters who have struggles and a lot of emotion and colors. I don't really want to do anything smiley and cheesy; it's not really my personality when I'm working.
I went to school in New York and grew up in and out of New York. I love it, and I miss it, and every time I go back, I think, 'Why am I in Germany?' I do know that my career is really important to me, and in Germany, they've always been so much more supportive than my previous engagements in the dance world.