There has been too much silliness and cliche when looking at older people: I think that hides a fear of death that we have as a society. We are obsessed with youth and denying death.
In Latin America, cinema has always been a bourgeois activity, I guess, as it is everywhere. It's just a stupidly expensive art form, and there is nothing you can do about it.
We all face crossroads in our lives where we can retreat into ourselves, or we can hit the dance floor.
Either we learn to live together and embrace the complexity of life, or we will end up with fascism again and destroy ourselves.
Cinema is empathy machinery, and we multiply our life experience through cinema. When it is good cinema, it almost counts as a personal experience.
Creative processes are always very opaque. Afterwards, you tend to pretend that everything was planned and it was a strategy, but it was not like that at all.
There's something about using the cinematic device as a tool to connect with dimensions of the world that you don't know too well, you're not too familiar with. It's like a creating a bridge, or a spaceship to travel to the unknown.
I'm always trying to get my characters to the point of complete rebelliousness. I like that attitude that characters feel when they own their lives. There's something beautiful in the moments when characters disobey.