When I was a kid I always liked scratching myself - making shapes, making drawings, and I always thought I would have a tattoo.
The most amazing feeling in the world is destroying. It takes so much strength and patience and time to build, and destruction is fast, fast, fast. Explosive.
A few months ago, I was sure that I was going to stop dancing to become a good actor. But then when I was by myself for a week, I asked myself, What are you doing? You have that talent. Use it to the fullest.
In England, ballet is kind of closed. They are opening up a little bit, but it was always something not for the general public. So you don't get fame, like a football star or a film star. And if you don't get fame, you can't do other stuff.
It's true that I got a bit lost. But that was because I had grown up in a system where I never made my own decisions.
It's not about being modern or classical or about being sexy: it's all about exchanging energies with the audience.
I would like to do more projects involving artists from film, fashion and music. That's the spark for me.
Well, that's why ballet is one of the hardest disciplines - you kind of stay childlike, because you never really experience childhood, so you try to stay in that.
I would love for dancers to be treated better and for dancers to have support, for dancers to have managers, agents. This is the only art form that does not have a proper support system.
As a dancer, you dance and you shut up. You don't open your mouth. I started using the media as psychiatrists, I guess, they were someone to talk to.