In sixth grade I had a band called The Blueberry Waterfall. I had borrowed a guy's Fender Jaguar and Boss Tone Fuzz, which you plugged straight into a Blackface Twin. It was a little power trio - we were actually pretty good for our age.
I don't believe that heavy strings make it all that much bigger-sounding. If anything, it can mess up your fingers, and you can get tendonitis, which is not cool.
Especially early on, I had no idea what I was going to be asked to do when I walked into a studio. I was doing 26 sessions a week - all day, all night.
I really try to play to my strengths, man. I'm never going to be Guthrie Govan: he's a brilliant player.
I just think that there is something that keeps us together, to keep doing what we're doing. I can't really put my finger on it other than each record is like a little snapshot of my life at that particular moment, the way I play, the way I sound, the way I wrote, the way I sing, I can hear it.